By Revision Genie
Appraising Music
Unit 1
Listening to Unfamiliar Music
Identifying Musical Elements in Listening
Using Musical Language in Listening
Aural Dictation Techniques
Critical Appraisal of Music
Effect of Audience, Time, and Place
Composer's Purpose and Intentions
Musical Vocabulary for Analysis
Interdependencies Between Musical Elements
Connections Between Music and Context
Analysis of Set Works
Baroque Solo Concerto Features
Classical Opera Characteristics
Romantic Piano Music Traits
Melodic Contour and Devices
Ornaments and Passing Notes
Harmony: Diatonic and Chromatic
Cadences and Their Types
Tonality and Modulation
Musical Structures and Forms
Sonority and Instrumental Techniques
Texture Types in Music
Tempo, Metre, and Rhythm
Dynamics and Articulation
Reading Staff Notation
Writing Staff Notation
Identifying Chords and Symbols
Musical Vocabulary Application
Essay Writing on Musical Contexts
Pop Music Characteristics
Music for Media Analysis
Music for Theatre Features
Jazz Stylistic Elements
Contemporary Traditional Music Traits
Art Music Since 1910 Analysis
Leitmotif in Music
Diegetic and Non-Diegetic Music
Improvisation in Jazz
Fusion of Traditional and Contemporary Styles
Minimalist Techniques in Art Music
Phasing and Rhythmic Displacement
Using Extended Chords in Composition
Stylistic Awareness in Chorales
Responding to a Composition Brief
Free Composition Techniques
Writing Programme Notes for Compositions
Documenting Composition Structure
Score and Annotation Requirements
Evaluating Musical Contexts in Essays
Synthesizing Knowledge Across Genres
Unit 2
Western Classical Tradition 1650–1910
Introduction to the Baroque Period
Key Features of Baroque Music
The Solo Concerto in Baroque Music
Purcell's Sonata for Trumpet and Strings
Vivaldi's Flute Concerto Il Gardellino
Bach's Violin Concerto in A Minor
Baroque Ornamentation Techniques
The Role of the Basso Continuo
Introduction to the Classical Period
Key Features of Classical Music
Mozart's Operas: An Overview
Le Nozze di Figaro: Overture
Le Nozze di Figaro: Duettino (Figaro and Susanna)
Le Nozze di Figaro: Cavatina (Figaro)
Le Nozze di Figaro: Aria (Bartolo)
Le Nozze di Figaro: Duettino (Susanna and Marcellina)
Le Nozze di Figaro: Aria (Cherubino)
Le Nozze di Figaro: Terzetto (Susanna, Basilio, Count)
Le Nozze di Figaro: Aria (Figaro)
Classical Forms: Sonata Form
Introduction to the Romantic Period
Key Features of Romantic Music
Chopin's Ballade No. 2 in F Major
Chopin's Nocturne in E Minor
Brahms' Intermezzo in A Major
Brahms' Ballade in G Minor
Grieg's Norwegian March
Grieg's Notturno
Romantic Piano Techniques
The Influence of Context on Baroque Music
The Influence of Context on Classical Music
The Influence of Context on Romantic Music
Melodic Features in Western Classical Music
Harmonic Features in Western Classical Music
Tonality in Western Classical Music
Structural Devices in Western Classical Music
Texture in Western Classical Music
Sonority in Western Classical Music
Rhythm and Metre in Western Classical Music
Dynamics and Articulation in Classical Music
Reading Staff Notation for Set Works
Writing Melodic Notation in Staff Notation
Writing Rhythmic Notation in Staff Notation
Identifying Chords in Aural and Written Form
Using Musical Vocabulary for Analysis
Aural Analysis of Unfamiliar Baroque Music
Aural Analysis of Unfamiliar Classical Music
Aural Analysis of Unfamiliar Romantic Music
Comparing Baroque, Classical, and Romantic Styles
Common Exam Pitfalls in Western Classical Analysis
Unit 3
Pop Music
Introduction to Pop Music Genres
Characteristics of Rock Music
Evolution of Rock Music from 1960s
Key Artists in Rock Music
Understanding Funk Music
Funk Music Techniques and Elements
Historical Development of Funk Music
Key Artists in Funk Music
Introduction to R&B Music
R&B Music Techniques and Elements
Evolution of R&B Music from 1960s
Key Artists in R&B Music
Melody in Pop Music Genres
Harmony in Pop Music Genres
Tonality in Pop Music Genres
Structure in Pop Songs
Sonority in Pop Music
Texture in Pop Music
Rhythm and Metre in Pop Music
Dynamics and Articulation in Pop Music
Use of Technology in Pop Music
Studio Effects in Pop Music Production
Role of Electric Guitar in Pop Music
Vocal Techniques in Pop Music
Understanding Loops and Layers in Pop Music
Analysis of Stevie Wonder's Music
Analysis of Joni Mitchell's Music
Analysis of Muse's Music
Analysis of Beyoncé's Music
Analysis of Daft Punk's Music
Analysis of Labrinth's Music
Impact of Cultural Context on Pop Music
How Pop Music Reflects Social Change
Examining Lyrics in Pop Music
Pop Music and Identity
Common Exam Traps in Pop Music Analysis
How to Write About Pop Music in Essays
Critical Listening Skills for Pop Music
Comparing Pop Music Genres
Historical Timeline of Pop Music
Influence of Blues on Pop Music
Role of Rhythm Section in Pop Music
Pop Music and Technology Evolution
How Production Shapes Pop Music
Understanding Hooks and Riffs in Pop Music
The Role of Innovation in Pop Music
How Pop Music Appeals to Audiences
Analyzing Unfamiliar Pop Music
Writing Staff Notation for Pop Music
Unit 4
Music for Media
Purpose of Music for Media
Historical Development of Media Music
Film Music Techniques
Television Music Techniques
Gaming Music Techniques
Role of Leitmotifs in Media
Diegetic vs Non-Diegetic Music
Underscore and Source Music
Mickey-Mousing Technique
Cue and Soundtrack Structures
Tonal and Modal Approaches
Atonality in Media Music
Use of Power Chords in Media
Chord Extensions in Media Music
Electronic Instruments in Media
Ethnic Instruments for Location
Technological Effects in Media Music
Tremolo and Its Applications
Cluster and Drone Textures
Additive and Cross Rhythms
Rhythmic Layering in Media Music
Polarised Textures in Media
Hans Zimmer's Stylistic Features
Bernard Herrmann's Techniques
Michael Giacchino's Compositional Style
Thomas Newman's Use of Timbre
Nobuo Uematsu's Gaming Scores
Comparing Film and Gaming Music
Impact of Audience on Media Music
Influence of Time and Place on Media Music
Musical Vocabulary for Media Analysis
Critical Judgements in Media Music
Stylistic Evolution in Media Music
Examining Published Works in Media Music
Common Exam Traps in Media Music Questions
Unit 5
Music for Theatre
Introduction to Music for Theatre
Purpose of Theatre Music
Historical Context: 1925–1945
Historical Context: 1945–1975
Historical Context: 1975–Present
Kurt Weill: Musical Style and Techniques
Richard Rodgers: Musical Innovations
Stephen Sondheim: Lyricism and Complexity
Claude-Michel Schönberg: Dramatic Impact
Jason Robert Brown: Contemporary Techniques
Melody in Theatre Music
Harmony in Theatre Music
Tonality in Theatre Music
Structure in Theatre Music
Sonority in Theatre Music
Texture in Theatre Music
Tempo, Metre, and Rhythm in Theatre Music
Dynamics and Articulation in Theatre Music
Leitmotifs in Theatre Music
Pitch Bend and Glissando Techniques
Melisma and Syllabic Writing
Angular Melodies in Theatre Music
Power Chords and Sus4 in Theatre Music
Chord Extensions in Theatre Music
Intro and Outro Structures
Verse and Chorus in Theatre Music
Instrumental Interludes in Theatre Music
Middle Eight and Bridge Sections
Studio Effects: Reverb and Echo
Electric Guitar in Theatre Music
Synthesizer Use in Theatre Music
Vocal Timbres: Falsetto and Belt
Colla Voce and A Cappella Techniques
Irregular Metre in Theatre Music
Role of Technology in Theatre Music
Comparing Composers Across Eras
Critical Analysis of Set Works
Contextual Influences on Theatre Music
Examining Audience Impact on Composition
Common Exam Pitfalls in Theatre Music
Effective Essay Writing: Theatre Music
Listening Techniques for Theatre Music
Aural Identification of Musical Elements
Staff Notation in Theatre Music
Writing Melodic Notation
Writing Rhythmic Notation
Chords and Their Symbols in Theatre Music
Using Musical Vocabulary in Theatre Music
Performance Considerations for Theatre Music
Composition Techniques for Theatre Music
Programme Notes for Theatre Music Composition
Unit 6
Jazz
Introduction to Jazz
Key Characteristics of Jazz
The Role of Improvisation in Jazz
Understanding Jazz Rhythms
Swing and Straight Rhythm in Jazz
The Blues Scale in Jazz
Blue Notes and Their Impact
12-Bar Blues Structure
Chord Extensions in Jazz Harmony
Tritone Substitution in Jazz
Common Jazz Harmony Symbols
Modal Jazz: Key Modes
The Role of the Head in Jazz
Jazz Forms: Song Form and Standard Form
The Role of Fours in Jazz Improvisation
The Chorus Structure in Jazz
Jazz Timbres: Growl and Talking Trumpet
Jazz Timbres: Harmon and Wah-Wah Mutes
Jazz Timbres: Slap Bass Techniques
Jazz Timbres: Rim-Shot Techniques
Big Band Instrumentation
Heterophonic Texture in Jazz
A Cappella in Jazz
Push and Drag Rhythm in Jazz
Double Time in Jazz Performance
Stop Time Technique in Jazz
Riff Usage in Jazz
Louis Armstrong: Contributions to Jazz
Duke Ellington: Contributions to Jazz
Charlie Parker: Bebop Innovations
Miles Davis: Modal Jazz and Fusion
Pat Metheny: Jazz Fusion and Guitar Techniques
Gwilym Simcock: Contemporary Jazz Piano
Examining Jazz Contexts: Time, Place, and Audience
Critical Analysis of Jazz Works
Listening to Unfamiliar Jazz Pieces
Writing About Jazz in Essays
Common Exam Traps in Jazz Analysis
Unit 7
Contemporary Traditional Music
Introduction to Contemporary Traditional Music
Defining Fusion Music
Traditional vs Contemporary Styles
Key Features of Traditional Music
Key Features of Contemporary Music
Understanding Musical Fusion
Astor Piazzolla and Tango Nuevo
Toumani Diabaté and Kora Techniques
Anoushka Shankar and Indian Classical Fusion
Mariza and Fado Traditions
Bellowhead and Folk Rock
Melody in Contemporary Traditional Music
Pitch Bend and Ornamentation
Kumbengo and Birimintingo Techniques
Harmonic Features: Drone and Chord Extensions
Modes in Fusion Music (Dorian, Lydian)
Structural Forms: Tango Nuevo and Milonga
Structural Forms: Alap and Tala
Structural Forms: Verse and Chorus in Fusion
Sonority: Bandoneon and Tango Techniques
Sonority: Kora and Sympathetic Strings
Sonority: Sitar and Studio Effects
Texture: Looping and Layering in Fusion
Texture: Heterophonic Techniques
Rhythmic Features: Polyrhythm and Tala
Rhythmic Features: Habanera and Latin Rhythms
Rhythmic Features: Riffs in Fusion Music
Cultural Context of Tango Nuevo
Cultural Context of Indian Classical Fusion
Cultural Context of Fado Music
Cultural Context of Folk Rock
Analyzing Piazzolla's Libertango
Analyzing Diabaté's Kaira
Analyzing Shankar's Breathing Under Water
Analyzing Mariza's Ó Gente Da Minha Terra
Analyzing Bellowhead's New York Girls
Examining Fusion Techniques in Composition
Listening Skills for Unfamiliar Fusion Music
Critical Appraisal of Fusion Music
Common Fusion Music Exam Traps
Writing About Fusion Music in Essays
Using Musical Vocabulary for Fusion Analysis
Comparing Traditional and Fusion Styles
Impact of Technology on Fusion Music
Global Influences in Contemporary Traditional Music
Fusion Music and Identity Expression
Developing Personal Insights on Fusion Music
Unit 8
Art Music Since 1910
Introduction to Art Music Since 1910
Defining Modern Art Music
Characteristics of Experimental Music
Overview of Minimalist Music
Introduction to Electronic Art Music
Dmitri Shostakovich: Historical Context
Shostakovich's Musical Style
Olivier Messiaen: Historical Context
Messiaen's Modes of Limited Transposition
Messiaen's Use of Harmony and Timbre
Steve Reich: Historical Context
Reich's Phasing Technique
Reich's Use of Repetition and Gradual Change
James MacMillan: Historical Context
MacMillan's Religious and Political Themes
MacMillan's Use of Texture and Sonority
Pentatonic and Hexatonic Scales in Art Music
Tone Rows and Serialism
Atonality in Art Music
Bitonality and Tonal Ambiguity
Non-Functional Harmony in Art Music
Cluster Chords and Static Harmony
Cyclical Structures in Art Music
Additive and Palindromic Rhythms
Metrical Displacement in Minimalist Music
Phasing in Electronic Art Music
Augmentation and Diminution Techniques
Use of Unusual Instruments in Art Music
Ondes Martenot and Its Role in Art Music
Studio Effects in Electronic Art Music
Reverb and Sampling in Art Music
Layering and Looping in Minimalist Music
Drones and Their Impact on Texture
Resultant Melody and Metamorphosis Techniques
Minimalism vs Traditional Western Classical Music
Comparing Compositional Styles of Featured Composers
Analyzing Representative Works by Shostakovich
Analyzing Representative Works by Messiaen
Analyzing Representative Works by Reich
Analyzing Representative Works by MacMillan
Critical Listening: Unfamiliar Art Music Examples
Essay Writing: Contextual Analysis of Art Music
Common Exam Pitfalls in Art Music Analysis
Unit 9
Performance
Solo Performance Techniques
Ensemble Performance Techniques
Technical Control in Performance
Expressive Control in Performance
Pitch Accuracy in Performance
Rhythmic Accuracy in Performance
Tone Production Techniques
Diction and Breathing Techniques
Bowing Techniques for String Instruments
Pedalling Techniques for Piano
Synchronisation in Ensemble Performance
Tempo Management in Performance
Dynamic Range in Performance
Phrasing and Articulation in Performance
Interpreting Composer's Intentions
Stylistic Awareness in Performance
Understanding Musical Contexts
Choosing Appropriate Repertoire
Accompanied vs Unaccompanied Performance
Using Notated Scores in Performance
Using Lead Sheets in Performance
Guide Recordings for Performance Preparation
Annotation for Production Performances
Music Technology in Performance
MIDI Sequencing Techniques
Audio Track Recording Techniques
Microphone Placement for Recording
Dynamic Processing in Production
Compression and EQ in Music Production
Blending Tracks in Audio Recording
Panning Techniques in Production
Use of Effects in Music Production
Balancing and Mixing Tracks
Performance Documentation Requirements
Preparing for Performance Assessment
Minimum Duration Requirements for Performances
Avoiding Timing Penalties in Performance
Recording Performance for Assessment
Authenticating Performance Submissions
Common Performance Pitfalls to Avoid
Developing Confidence in Performance
Evaluating and Improving Performances
Communicating Musical Ideas Effectively
Understanding Ensemble Roles
Expressive Variety in Performance
Technical Challenges in Advanced Repertoire
Interpreting Performance Directions
Managing Stage Presence and Audience Engagement
Unit 10
Composition
Understanding Composition Briefs
Free Composition vs Brief Composition
Choosing a Composition Style or Genre
Developing a Musical Idea
Extending and Manipulating Musical Ideas
Using Musical Elements in Composition
Creating Melodic Ideas
Developing Harmony in a Composition
Exploring Tonality in Composition
Structuring a Composition
Using Texture in Composition
Incorporating Dynamics and Articulation
Exploring Timbre and Instrumentation
Using Rhythm and Metre Effectively
Creating Contrast in a Composition
Writing for Specific Audiences or Occasions
Using Technology in Composition
Producing Notated Scores
Creating Lead Sheets
Documenting the Composition Process
Writing a Programme Note
Recording Your Composition
Combining Traditional and Contemporary Elements
Incorporating Stylistic Features in Composition
Exploring Advanced Harmonic Techniques
Using Chord Progressions Creatively
Developing a Motif or Theme
Writing for Instrumental Ensembles
Writing for Solo Instruments or Voices
Writing for Technology-Based Music
Incorporating Improvisation in Composition
Exploring World Music Influences
Avoiding Common Composition Errors
Balancing Technical and Expressive Elements
Evaluating and Refining Your Composition
Submitting Composition Work for Assessment
Time Management for Composition Projects
Understanding Assessment Criteria for Composition
Analyzing Exemplary Compositions
Using Software for Digital Composition
Creating Effective Underscores or Background Music
Composing for Specific Genres (e.g., Jazz, Pop, Classical)
Incorporating Leitmotifs and Recurring Themes
Writing for Film or Media Briefs
Exploring Minimalist Techniques in Composition
Writing for Unusual Instrument Combinations
Exploring Extended Techniques in Composition
Using Aural Guides to Support Your Composition
Understanding Copyright in Composition