Eduqas · A-Level
Your journey to excellence inArt and Design
By Revision Genie
I want to study…
A-Level Art and Design with Eduqas is a creative and exploratory course where you develop your skills in various media, techniques and processes. You will study the work of artists, craftspeople and designers, learn to analyse and evaluate their methods, and create your own innovative and personal outcomes. The course encourages critical thinking, experimentation and reflective practice.
Start learning
Start with the first Art and Design lesson.
Understanding Intellectual Skills in Art
1Understanding Intellectual Skills in ArtRead next2Imaginative Thinking in Creative WorkRead next3Creative Problem Solving TechniquesRead next4Intuition in Artistic DevelopmentRead next5Investigative Skills in Art ResearchRead next6Analytical Approaches to ArtRead next7Experimentation in Art TechniquesRead next8Practical Skills for Art CreationRead next9Technical Mastery in Art ProcessesRead next10Expressive Skills in Art and DesignRead next11Aesthetic Understanding in ArtRead next12Critical Judgment in Art EvaluationRead next13Developing Independence of MindRead next14Refining and Communicating IdeasRead next15Creating Personal Artistic OutcomesRead next16Building Enthusiasm for Art and DesignRead next17Enjoyment in Creative ProcessesRead next18Working with a Broad Range of MediaRead next19Exploring Interrelationships in Art ProcessesRead next20Understanding Contexts in Art, Craft, and DesignRead next21Real-World Applications of Art SkillsRead next22Connecting to the Creative IndustriesRead next23Art in Contemporary and Historical ContextsRead next24Cultural Influences on Art and DesignRead next25Roles and Audiences in ArtRead next26Functions of Art, Craft, and DesignRead next27Exploring Self-Directed Creative ProjectsRead next28Examining Aesthetic and Technical SkillsRead next29Fostering Risk-Taking in ArtRead next30Curatorial Decisions in Art PresentationRead next31Synthesizing Ideas and TechniquesRead next32Documenting the Creative ProcessRead next33Using Specialist Terminology EffectivelyRead next34Evaluating Art OutcomesRead next35Collaborative Practices in Art ProjectsRead next36Innovative Approaches to Art CreationRead next37Exploring Art Through ExperimentationRead next38Critical Reflection on Art ProgressionRead next39Balancing Depth and Breadth in Art StudiesRead next40Incorporating Historical Contexts in ArtRead next41Understanding Continuity in Art StylesRead next42Recognizing Change in Art TraditionsRead next43Creating Meaningful Artistic ResponsesRead next
Introduction to Recording Techniques
1Introduction to Recording TechniquesRead next2Using Drawing to Record ObservationsRead next3Photographic Recording MethodsRead next4Exploring Mixed Media for RecordingRead next5Organising Visual InformationRead next6Selecting Relevant InformationRead next7Researching Contextual SourcesRead next8Analysing Images and ArtefactsRead next9Evaluating Contextual InformationRead next10Making Independent JudgementsRead next11Using Artist Studies to Inform WorkRead next12Extending Ideas Through Contextual ResearchRead next13Generating Lines of EnquiryRead next14Exploring Media and TechniquesRead next15Experimenting with Recording MethodsRead next16Applying Knowledge to Create ArtefactsRead next17Reviewing and Modifying WorkRead next18Planning Ideas Based on EvaluationsRead next19Communicating Ideas VisuallyRead next20Presenting Work in Sensory FormatsRead next21Digital Media Recording TechniquesRead next22Non-Digital Media Recording TechniquesRead next23Combining Digital and Non-Digital MethodsRead next24Specialist Vocabulary in RecordingRead next25Using Annotation in SketchbooksRead next26Recording Textural DetailsRead next27Exploring Tonal and Colour NotesRead next28Photographic Documentation TechniquesRead next29Critical Reflection on Recording ProgressRead next30Organising Research MaterialsRead next31Evaluating the Effectiveness of ResearchRead next32Visual Presentation of Contextual StudiesRead next33Exploring Composition in RecordingRead next
Introduction to Digital Media Tools
1Introduction to Digital Media ToolsRead next2Introduction to Non-Digital Media ToolsRead next3Understanding Mixed Media ApproachesRead next4Experimenting with Digital MediaRead next5Experimenting with Non-Digital MediaRead next6Combining Digital and Non-Digital TechniquesRead next7Selecting Media for Creative IntentionsRead next8Exploring Layers in Digital ArtworkRead next9Exploring Texture in Non-Digital ArtworkRead next10Using Software for Digital ArtRead next11Using Traditional Tools for Non-Digital ArtRead next12Digital Collage TechniquesRead next13Non-Digital Collage TechniquesRead next14Exploring Digital Photography in ArtRead next15Exploring Painting and Drawing TechniquesRead next16Creating Art with Graphic TabletsRead next17Creating Art with Physical Brushes and PaintsRead next18Editing and Refining Digital ArtworkRead next19Refining Non-Digital ArtworkRead next20Exploring Digital TypographyRead next21Exploring Hand Lettering TechniquesRead next22Digital Art for Print MediaRead next23Non-Digital Art for Print MediaRead next24Exploring Digital Animation TechniquesRead next25Exploring Stop-Motion Animation TechniquesRead next26Creating Digital Art for Web and ScreensRead next27Creating Non-Digital Art for Physical SpacesRead next28Understanding File Formats and ResolutionRead next29Understanding Physical Medium PropertiesRead next30Exploring Digital Art Effects and FiltersRead next31Exploring Non-Digital Art Techniques for TextureRead next32Using Photography as a Source for Digital ArtRead next33Using Sketches as a Source for Non-Digital ArtRead next34Integrating Photography and Drawing in Mixed MediaRead next35Exploring Digital Tools for Color ManipulationRead next36Exploring Non-Digital Techniques for Color MixingRead next37Using 3D Modeling Software for ArtRead next38Creating Sculptures with Non-Digital MaterialsRead next39Exploring Digital Printing TechniquesRead next40Exploring Traditional Printing TechniquesRead next41Creating Mixed Media InstallationsRead next42Exploring Digital Art in Contemporary CultureRead next43Exploring Non-Digital Art in Historical ContextsRead next44Critical Analysis of Digital Media ArtworksRead next45Critical Analysis of Non-Digital Media ArtworksRead next46Exploring Artists Who Use Digital MediaRead next47Exploring Artists Who Use Non-Digital MediaRead next48Documenting Digital Art ProcessesRead next49Documenting Non-Digital Art ProcessesRead next50Presenting Digital Artwork for AssessmentRead next51Presenting Non-Digital Artwork for AssessmentRead next
Introduction to Personal Investigations
1Introduction to Personal InvestigationsRead next2Understanding Critical and Contextual AnalysisRead next3Choosing a Theme for InvestigationRead next4Developing a Personal ConceptRead next5Exploring Historical and Contemporary ContextsRead next6Planning a Practical ProjectRead next7Integrating Practical and Written ElementsRead next8Writing the 1000-Word Critical AnalysisRead next9Structuring Extended WritingRead next10Using Specialist Terminology in WritingRead next11Recording Observations and InsightsRead next12Reflecting on Learning Through WritingRead next13Experimentation and Risk-Taking in ArtRead next14Selecting and Evaluating Portfolio WorkRead next15Making Curatorial DecisionsRead next16Exploring Interdisciplinary ApproachesRead next17Specialising in a Medium or TechniqueRead next18Connecting Themes to Artists and DesignersRead next19Analysing the Work of Other PractitionersRead next20Developing Depth in Artistic StudyRead next21Balancing Practical and Theoretical WorkRead next22Innovative Formats for Written WorkRead next23Using Visual and Written Evidence TogetherRead next24Evaluating Processes and OutcomesRead next25Demonstrating Insight Through WritingRead next26Reviewing and Refining IdeasRead next27Documenting the Development ProcessRead next28Linking Written Work to Assessment ObjectivesRead next29Ensuring Coherence in Extended WritingRead next30Reflecting on Personal Artistic IntentionsRead next31Presenting Work for AssessmentRead next32Understanding Holistic AssessmentRead next33Acknowledging Secondary Source MaterialRead next34Avoiding Plagiarism in SubmissionsRead next35Creating a Theme-Based PortfolioRead next36Synthesising Practical and Theoretical ResearchRead next37Exploring Depth in Multidisciplinary WorkRead next38Writing an Illustrated EssayRead next39Creating a Digital PresentationRead next40Producing a Personal StudyRead next41Using Journals for Critical AnalysisRead next42Writing a Review or ArticleRead next43Ensuring Legibility in Written WorkRead next44Writing in a Suitable StyleRead next45Organising Written Information ClearlyRead next46Evaluating Artistic IntentionsRead next47Exploring Innovative Presentation FormatsRead next
Exploring 2D Media Techniques
1Exploring 2D Media TechniquesRead next2Exploring 3D Media TechniquesRead next3Integrating 2D and 3D ProcessesRead next4Critical and Contextual Analysis in ArtRead next5Practical Investigations Across DisciplinesRead next6Evidence of Multi-Disciplinary WorkRead next7Selecting Processes for Final ResolutionRead next8Combining Disciplines in Final WorkRead next9Single Discipline in Final ResolutionRead next10Exploratory Work in Component 2Read next11Preparatory Studies Across DisciplinesRead next12Sustained Focus Period WorkRead next13Holistic Assessment Criteria OverviewRead next14Understanding the Four Assessment ObjectivesRead next15Breadth and Depth in Submitted WorkRead next16Exploring Drawing Techniques for 2D WorkRead next17Exploring Painting Techniques for 2D WorkRead next18Exploring Sculpture Techniques for 3D WorkRead next19Exploring Installation Art ProcessesRead next20Exploring Mixed Media Art FormsRead next21Exploring Craft Techniques and MethodsRead next22Exploring Design Techniques and ProcessesRead next23Using Photography in Art and DesignRead next24Using Digital Media in Art CreationRead next25Using Non-Digital Media in Art CreationRead next26Exploring Textural Effects in ArtRead next27Exploring Colour Manipulation TechniquesRead next28Exploring Spatial Composition in ArtRead next29Exploring Scale in Art and DesignRead next30Exploring Functional and Decorative DesignRead next31Exploring Abstract and Representational FormsRead next32Exploring Contemporary Techniques in ArtRead next33Exploring Historical Techniques in ArtRead next34Exploring Conceptual Approaches in ArtRead next35Exploring Practical Approaches in ArtRead next36Exploring Interdisciplinary ConnectionsRead next37Exploring Collaborative Art ProcessesRead next38Exploring Individual Art PracticesRead next39Exploring Presentation Techniques for AssessmentRead next40Exploring Documentation TechniquesRead next41Exploring Risk-Taking in Art CreationRead next42Exploring Problem-Solving in Art ProcessesRead next43Exploring Innovation in Art and DesignRead next44Exploring Refinement of Artistic IdeasRead next45Exploring Communication of Artistic IntentRead next46Exploring Audience Engagement in ArtRead next47Exploring Multiple Endorsed Titles in ArtRead next48Working with 2D and 3D Media in ArtRead next49Final Resolution in Art Across DisciplinesRead next50Component 2 Work Across Endorsed TitlesRead next51Holistic Assessment of Art SubmissionsRead next52Breadth and Depth in Art, Craft, and DesignRead next53Investigative Contextual Study in ArtRead next54Analyzing Artists, Craftspeople, and DesignersRead next55Experimenting with Media and ProcessesRead next56Documenting the Creative Process in ArtRead next57Refining Ideas and Attending to DetailRead next58Researching and Organizing Visual SourcesRead next59Presenting Personal Artistic OutcomesRead next60Selecting Presentation Formats for ArtRead next61Exploring 2D and 3D Media in Art, Craft, and DesignRead next
Previews load for the first 60 in this unit.
Contextual Studies in Fine Art
1Contextual Studies in Fine ArtRead next2Historical Influences on Fine ArtRead next3Contemporary Influences on Fine ArtRead next4Fine Art and Other DisciplinesRead next5Processes and Outcomes in Fine ArtRead next6Fine Art Sculpture TechniquesRead next7Ceramics in Fine ArtRead next8Printmaking Processes in Fine ArtRead next9Expressive vs Functional ApproachesRead next10Critical Analysis of Fine ArtRead next11Comparing Fine Art WorksRead next12Summative Evaluation of Art OutcomesRead next13Experimenting with Fine Art MediaRead next14Combining Media in Fine ArtRead next15Control in Fine Art ProcessesRead next16Exploring Visual and Tactile SourcesRead next17Composition in Fine ArtRead next18Penultimate Stage of DevelopmentRead next19Refining Ideas in Fine ArtRead next20Detail in Human Form RepresentationRead next21Researching Visual and Tactile SourcesRead next22Selecting and Analysing SourcesRead next23Recording Observations in Fine ArtRead next24Using Sketchbooks EffectivelyRead next25Photographic Notes in Fine ArtRead next26Critical Reflection on Art ProgressRead next27Clarifying Artistic IntentionsRead next28Creating Personal Artistic ResponsesRead next29Triptych Surface Print TechniquesRead next30Investigative Contextual StudiesRead next31Art Reflecting Time and PlaceRead next32Understanding Art ContextsRead next33Artists, Craftspeople, and DesignersRead next34Differences in Artistic DisciplinesRead next35Comparing Methods and IntentionsRead next36Analytical Skills in Fine ArtRead next37Influences on Art MovementsRead next38Exploring Stimulating ResourcesRead next39Primary Sources in Fine ArtRead next40Gallery Visits for InspirationRead next41Refining Ideas in Art ProgressionRead next42Skilful Control in Artistic DetailRead next43Researching Art SourcesRead next44Recording Insights in Fine ArtRead next45Using Study Sheets EffectivelyRead next46Critical Reflection on Art LearningRead next47Adapting Art Knowledge to New ContextsRead next48Innovative Art ResponsesRead next49Comparing Artistic ApproachesRead next50Connecting Elements in Art SubmissionRead next51Organising Art PresentationsRead next52Selecting Presentational FormatsRead next53Engaging Audiences with ArtRead next54Creating Gallery Resource PacksRead next
Contextual Studies in Graphic Design
1Contextual Studies in Graphic DesignRead next2Influences from Television and CinemaRead next3Inspiration from Fine Art for GraphicsRead next4Product Design as a Source of IdeasRead next5Published Media in Graphic CommunicationRead next6Ethical Considerations in Graphic DesignRead next7Conservation Issues in Graphic CommunicationRead next8Marketing Strategies in Graphic DesignRead next9Promotional Campaigning TechniquesRead next10Reprographic Processes in Graphic DesignRead next11Magazine and Journal Production ProcessesRead next12Comparing and Contrasting Graphic DesignersRead next13Evaluating Personal Design ProcessesRead next14Critical Analysis of Graphic Design WorkRead next15Using Typography EffectivelyRead next16Manipulating Imagery in Graphic DesignRead next17Experimenting with Digital SoftwareRead next18Balancing Technical and Creative PrioritiesRead next19Exploring Composition and LayoutRead next20Using Proportion, Line, and ToneRead next21Experimenting with Colour and TextureRead next22Exploring Scale and Visual ElementsRead next23Combining Graphic Design with Other ProcessesRead next24Refining Typography and ImageryRead next25Selecting Reprographic ProcessesRead next26Researching Visual and Contextual SourcesRead next27Annotating and Analysing ResearchRead next28Using Layout Sketches EffectivelyRead next29Creating Storyboards for Graphic ProjectsRead next30Recording Insights Through PhotographyRead next31Reflecting on Graphic Design ProgressRead next32Deepening Understanding Through ReflectionRead next33Presenting Personal Creative ResponsesRead next34Fulfilling Design Requirements EffectivelyRead next35Connecting Contextual and Practical WorkRead next36Organising Graphic Design SubmissionsRead next37Exploring Presentational FormatsRead next38Designing for Public Transport AdvertisingRead next39Creating Scale Models for Graphic DesignRead next
Contextual Study of Past 3D Design
1Contextual Study of Past 3D DesignRead next2Contextual Study of Present 3D DesignRead next3Cultural Influences on 3D DesignRead next4Influences from Science Fiction and MediaRead next5Ergonomic Factors in 3D DesignRead next6Ethical Considerations in 3D DesignRead next7Conservation in 3D DesignRead next8Economic Factors in 3D DesignRead next9Production Methods in 3D DesignRead next10Practical Criteria for Design SpacesRead next11Working Arrangements in 3D DesignRead next12Set Production for Stage PlaysRead next13Collaborative Nature of 3D DesignRead next14Responsive Practices in 3D DesignRead next15Analyzing Work of 3D DesignersRead next16Comparing and Contrasting 3D Design WorkRead next17Inspirational Images in DesignRead next18Experimenting with Wood in 3D DesignRead next19Experimenting with Clay in 3D DesignRead next20Experimenting with Plastic in 3D DesignRead next21Experimenting with Metal in 3D DesignRead next22Experimenting with Card and PaperRead next23Safe Use of Tools in 3D DesignRead next24Using CAD in 3D DesignRead next25Balancing Technical and Creative IdeasRead next26Exploring Workshop-Based ResourcesRead next27Environmental Sources for Design IdeasRead next28Surface and Texture in 3D DesignRead next29Colour and Form in 3D DesignRead next30Mass and Volume in 3D DesignRead next31Scale and Proportion in 3D DesignRead next32Durability and Strength in 3D DesignRead next33Experimenting with Emerging TechnologiesRead next34Combining 3D Design MethodsRead next35Penultimate Stage of Design DevelopmentRead next36Refining Ideas in 3D DesignRead next37Detail in Component ConnectionsRead next38Functional Working Parts in 3D DesignRead next39Surface Finish and Aesthetic AppearanceRead next40Analyzing Design PossibilitiesRead next41Problem-Solving in 3D DesignRead next42Recording Ideas Through SketchesRead next43Perspective and Technical DrawingsRead next44Using CAD for Working PlansRead next45Critical Reflection on Design ProgressRead next46Transferring Learning to New ContextsRead next47Presenting Personal Design OutcomesRead next48Engaging Audiences with Design WorkRead next49Considering Presentational FormatsRead next50Creating Prototypes in 3D DesignRead next51Producing Scale ModelsRead next52Exploring Batch and Mass ProductionRead next
Introduction to Photography Genres
1Introduction to Photography GenresRead next2Photographing People TechniquesRead next3Photographing Places TechniquesRead next4Still-Life Photography BasicsRead next5Documentary Photography PracticesRead next6Understanding PhotojournalismRead next7Exploring Experimental ImageryRead next8Creating Photographic InstallationsRead next9Fashion Photography TechniquesRead next10Basics of Digital ImagingRead next11Introduction to Moving ImageRead next12Contextual Study in PhotographyRead next13Appraising Photographic WorkRead next14Experimenting with Photographic MediaRead next15Using Lighting in PhotographyRead next16Understanding Shutter SpeedRead next17Mastering Aperture SettingsRead next18Using Lenses and FiltersRead next19Digital Software for PhotographyRead next20Exploring Studio-Based ResourcesRead next21Environmental Photography TechniquesRead next22Composition in PhotographyRead next23Tone and Colour in PhotographyRead next24Texture and Scale in PhotographyRead next25Combining Photographic TechniquesRead next26Editing and Manipulating ImagesRead next27Improving Print ResolutionRead next28Researching Visual ReferencesRead next29Annotating Photographic WorkRead next30Recording Ideas Through PhotographyRead next31Using Storyboards in PhotographyRead next32Reflecting on Photographic ProgressRead next33Creating Personal Photographic ResponsesRead next34Presenting Photographic WorkRead next35Exploring Mixed Media in PhotographyRead next36Animated Sequences in PhotographyRead next37Preparing for the Externally Set AssignmentRead next38Research and Preparatory StudiesRead next3915-Hour Sustained Focus StudyRead next40Managing the Preparatory Study PeriodRead next41Guidance During Preparatory StudiesRead next42Ensuring Independent WorkRead next43Storing Work During AssessmentRead next44Formats for Submitting WorkRead next45Combining Research and Final PiecesRead next
Defining Personal Intentions in Art
1Defining Personal Intentions in ArtRead next2Creating Innovative Artistic ResponsesRead next3Connecting Elements in Art SubmissionsRead next4Organising Art Submissions for ClarityRead next5Selecting Appropriate Presentation FormatsRead next6Engaging Audiences Through PresentationRead next7Presenting Work as Prototypes or ModelsRead next8Using Studio Photo-Shoots for PresentationRead next9Sketching Products in ContextRead next10Presenting Work for Design StudiosRead next11Developing Machine Embroidered PanelsRead next12Creating Personal Solutions to Design NeedsRead next13Producing Meaningful and Informed WorkRead next14Critical Reflection on Artistic ProgressRead next15Reviewing Learning Through ReflectionRead next16Exploring Contextual Influences on DesignRead next17Ethical and Environmental Issues in DesignRead next18Marketing Strategies in Art and DesignRead next19Reprographic Processes in DesignRead next20Magazine and Journal Production TechniquesRead next21Comparing Graphic Designers’ WorkRead next22Analyzing Design Outcomes CriticallyRead next23Experimenting with Graphic Design MediaRead next24Manipulating Typography and ImageryRead next25Experimenting with Proportion and ScaleRead next26Annotating and Analyzing ResearchRead next27Creating Storyboards for Art ProjectsRead next28Synthesizing Contextual and Practical WorkRead next29Creating Audio-Visual PresentationsRead next30Designing for Small Batch ProductionRead next31Creating Scale Models for PresentationsRead next32Combining Graphic Design MethodsRead next33Prioritising Creative Ideas Over Technical ProcessesRead next
Analyzing Historical Textile Design
1Analyzing Historical Textile DesignRead next2Exploring Contemporary Textile DesignRead next3Textile Design Across CulturesRead next4Influences from Fine Art in TextilesRead next5Architectural Inspiration in Textile DesignRead next6Photography as a Source for TextilesRead next7Published Media in Textile DesignRead next8Production Design and TextilesRead next9Functional vs Aesthetic Textile DesignRead next10Creative Textile Processes OverviewRead next11Adapting Textiles for Specific NeedsRead next12Cultural Traditions in TextilesRead next13Disability Considerations in Textile DesignRead next14Recycling in Textile DesignRead next15Upcycling in Textile DesignRead next16Analyzing Textile Designer WorkRead next17Comparing Textile DesignersRead next18Contrasting Contextual SourcesRead next19Evaluating Personal Textile OutcomesRead next20Critical Understanding in TextilesRead next21Summative Evaluation TechniquesRead next22Formative Evaluation in TextilesRead next
Introduction to Textile Materials
1Introduction to Textile MaterialsRead next2Exploring Textile ProcessesRead next3Combining Techniques in TextilesRead next4Mixed Media in Textile DesignRead next5Controlling Textile TechniquesRead next6Maximising Creative Potential in TextilesRead next7Concise Technical DocumentationRead next8Balancing Craft and CreativityRead next9Exploring Three-Dimensional MaterialsRead next10Techniques for Three-Dimensional DesignRead next11Mixed Media in 3D DesignRead next12Combining 3D and Textile ProcessesRead next13Using Line, Colour, and PatternRead next14Incorporating Texture in DesignRead next15Understanding Form in DesignRead next16Establishing Method-Outcome ConnectionsRead next17Progression to Final OutcomesRead next18Reviewing Ideas During DevelopmentRead next19Refining Decorative FeaturesRead next20Achieving Quality in Final OutcomesRead next21Stimulating Resources for InnovationRead next22Innovative Approaches to MaterialsRead next23Exploring Combinations of MediaRead next24Purposeful Experimentation TechniquesRead next25Evaluating Creative Potential of MaterialsRead next26Integrating Visual and Tactile ElementsRead next27Refining Ideas for ResolutionRead next28Critical Reflection on Technique UseRead next29Developing Personal Creative ResponsesRead next30Experimenting with Unconventional MaterialsRead next31Exploring Sustainable MaterialsRead next32Using Sketchbooks for DevelopmentRead next33Balancing Aesthetics and FunctionalityRead next34Experimenting with 3D Design MediaRead next35Exploring Resources for 3D DesignRead next36Experimenting with 3D Design TechnologiesRead next37Refining 3D Design DetailsRead next38Creative Making: Prioritising Ideas Over ProcessesRead next
Gathering Visual and Tactile Sources
1Gathering Visual and Tactile SourcesRead next2Communicating Personal Interests in ResearchRead next3Judging Sources for Artistic InquiryRead next4Analyzing Sources for Informative DetailRead next5Recording Observations in SketchbooksRead next6Using Workbooks for Recording InsightsRead next7Creating Study Sheets for ObservationsRead next8Recording Colour NotesRead next9Recording Pattern and Texture DetailsRead next10Using Sketching for ObservationRead next11Mark-Making Techniques for RecordingRead next12Photographic Methods for RecordingRead next13Writing Analytical CommentaryRead next14Critical Reflection on Artistic WorkRead next15Reviewing Progress in ArtRead next16Clarifying Artistic PurposesRead next17Understanding Meanings in Creative WorkRead next18Reflecting on Learning OutcomesRead next19Using Reflection to Refine IdeasRead next20Exploring Personal Intentions in ArtRead next21Analyzing Creative ProcessesRead next22Synthesizing Observations and AnalysisRead next23Organizing Visual and Written EvidenceRead next24Evaluating the Effectiveness of Recording MethodsRead next25Connecting Reflection to Artistic DevelopmentRead next26Exploring Techniques for Critical ReflectionRead next27Balancing Objectivity and Subjectivity in ReflectionRead next28Recording Ideas Through DrawingsRead next29Reflecting on Work ProgressionRead next30Organising and Communicating Research EffectivelyRead next
Component 1: Personal Investigation Overview
1Component 1: Personal Investigation OverviewRead next2Component 2: Externally Set Assignment OverviewRead next3Using Local and External Resources for ResearchRead next4Curatorial Considerations in PresentationRead next5Recording Experiences and ObservationsRead next6Knowledge of Materials, Processes, and TechnologiesRead next7Conveying Ideas, Feelings, and Meanings in ArtRead next8Social and Cultural Contexts of Images and ArtefactsRead next9Continuity and Change in Art TraditionsRead next10Analyzing and Evaluating Art SourcesRead next11Using the Work of Others to Inform Artistic DevelopmentRead next12Generating Lines of Enquiry in ArtRead next13Reviewing and Modifying Work Based on EvaluationsRead next14Communicating Ideas Through Various FormatsRead next15Working with Digital and Non-Digital MediaRead next
Core Skills and Specialist Learning in Art
1Core Skills and Specialist Learning in ArtRead next2Role of Brief Written Annotation in SketchbooksRead next3Selecting Stimuli for the Externally Set AssignmentRead next4Preparatory Study Period for Component 2Read next5Sustained Focus Study Period for Component 2Read next6Secure Storage of Component 2 WorkRead next7Selecting and Presenting Work for AssessmentRead next8Working Independently Within Time ConstraintsRead next9Assessment of Preparatory and Sustained Focus WorkRead next
Engaging with Creative Outcomes First-Hand
1Engaging with Creative Outcomes First-HandRead next2Contextual Study in Textile DesignRead next3Functional and Aesthetic Considerations in TextilesRead next4Analyzing the Work of Textile DesignersRead next5Experimenting with Textile Materials and ProcessesRead next6Documenting Creative Steps in TextilesRead next7Refining Textile Design IdeasRead next8Recording Observations in Textile DesignRead next9Presenting Personal Textile ResponsesRead next10Connecting Elements in Textile SubmissionsRead next11Selecting Presentation Formats for TextilesRead next12Engaging Audiences with Textile WorkRead next13Balancing Technical Processes and Creative IdeasRead next
Connecting Elements in Three-Dimensional Design
Creating Scale Models for Presentation
1Creating Scale Models for PresentationRead next2Monitoring Sustained Focus Study PeriodsRead next3Components in Art SubmissionsRead next4Authenticating Learner WorkRead next5Using Learner Statements for AuthenticationRead next6Acknowledging Secondary Source MaterialsRead next7Using Mark Schemes for AssessmentRead next8Standardising Assessment Across Teaching GroupsRead next9Consortium Arrangements for AssessmentRead next10Submitting Marks for ModerationRead next11Moderation Process OverviewRead next12Feedback from ModerationRead next13Presenting Work in Appropriate FormatsRead next14Integrating Drawing Skills in ComponentsRead next15Using Sketchbooks for Investigative StudyRead next16Contexts for Drawing in ArtRead next17Forms of Drawing in ArtRead next18Digital and Traditional Drawing TechniquesRead next19Extended Writing in Art and DesignRead next20Writing to Engage with ArtworksRead next21Using Writing to Evaluate ArtRead next22Transferring Learning Through WritingRead next23Reflecting and Synthesizing Ideas in WritingRead next24Holistic Assessment of Personal InvestigationsRead next25Formats for Extended WritingRead next26Annotation vs Extended WritingRead next27Developing Ideas Through In-Depth InvestigationsRead next28Skilful Exploration of Materials and TechniquesRead next29Critical Analysis Using Specialist VocabularyRead next30Connecting Visual and Written ElementsRead next31Levels of Development in Art InvestigationsRead next32Levels of Exploration and Control in ArtRead next33Levels of Critical Analysis in ArtRead next34Levels of Connections in Art SubmissionsRead next35Assessing Extended Writing in ArtRead next36Determining Study Period DatesRead next37Contexts for Drawing in Creative ProcessesRead next38Drawing Across Disciplines and PurposesRead next39Drawing as a Tool for Visualisation and CommunicationRead next40Forms and Applications of DrawingRead next
Understanding Artists, Craftspeople, and Designers
1Understanding Artists, Craftspeople, and DesignersRead next2Analytical and Critical Understanding in ArtRead next3Using Stimulating Resources for IdeasRead next4Documenting Significant Steps in DevelopmentRead next5Refining Ideas with Attention to DetailRead next6Reflecting Critically on Work ProgressionRead next7Creating Personal and Imaginative OutcomesRead next8Contextual Study in Fine ArtRead next9Exploring Fine Art Processes and OutcomesRead next10Critical Understanding in Fine ArtRead next11Experimentation with Fine Art MediaRead next12Using Resources for Innovative Fine Art IdeasRead next13Documenting Fine Art DevelopmentRead next14Researching Tactile and Visual SourcesRead next15Reflecting Critically on Fine Art ProgressRead next16Creating Personal Fine Art ResponsesRead next17Exploring Artistic DisciplinesRead next18Investigative and Analytical Skills in ArtRead next19Exploring Media and Contextual TopicsRead next20Using Primary Sources for ResearchRead next21Refining Ideas with Skilful ControlRead next22Organising and Communicating ResearchRead next23Recording Ideas in SketchbooksRead next24Reflecting on Learning and ProgressionRead next25Presenting Innovative Artistic ResponsesRead next26Making Connections in Art SubmissionsRead next
Exploring Photographic Genres
1Exploring Photographic GenresRead next2Critical Analysis of PhotographyRead next3Balancing Technique and CreativityRead next4Exploring Studio and Environmental SourcesRead next5Combining Techniques in PhotographyRead next6Refining Detail in PhotographyRead next7Organising Research for PhotographyRead next8Recording Ideas and ObservationsRead next9Connecting Submission ElementsRead next10Exploring Presentation FormatsRead next11Presenting Work with ConstraintsRead next
Access Restrictions During Sustained Focus Period
Investigating Historical and Contemporary Contexts
Frequently Asked Questions
The course covers creative skills, critical analysis, contextual studies, and practical work across various media and processes.
It is assessed through a Personal Investigation (60%) and an Externally Set Assignment (40%), both internally marked and externally moderated.
The A-Level Art and Design course typically takes two years to complete.
To revise effectively for A-Level Art and Design, focus on developing your practical skills, experimenting with materials, and refining your ideas. Study the work of practitioners, reflect critically on your progress, and ensure your submissions are well-presented and coherent. Extended writing should integrate seamlessly with your practical work.